Over time, shifts in production methods and patterns of consumption in relation to gloves have been paralleled by a shift in their primary role. Today, gloves may broadly be considered as a form of protective hand covering for use in cold weather. Within the context of fashion, gloves belong to the family of small accessories that includes fans, scarves, and hats. They are closely related to the mitten and muff. For several centuries gloves were highly symbolic garments, often worn for reasons other than protection. This changing conception illustrates the varied roles gloves have played within the discourse of fashion.

The Origin of Gloves

Gloves have been made since ancient times. Over the course of history gloves have served both utilitarian and decorative functions. Early cave paintings depict people wearing primitive leather gloves, and gloves have also been recovered in the remains of ancient Egyptian tombs. In both instances gloves came to be out of a need for protection. Similarly, ancient Greek and Roman peoples wore gloves for protection in battle and agricultural work. Gloves have also been an indicator of social status and power. Traditionally, the clergy wore gloves while performing the sacraments. In this case they communicated the power of the church and its representatives.

The development of the European gloving industry did not begin until the tenth century, and it was not until the eleventh century that it extended throughout Britain. Originally, the use of gloves within Britain was confined to the realm of warfare. Gloves were typically made of local deer, sheep, or imported kidskins. Knights and military officials wore protective hand coverings fashioned out of linked iron. Women did not generally include gloves as part of their dress until the Reformation period. The widespread use of gloves as fashion accessories did not commence until the early seventeenth century.

Seventeenth-Century Gloves

During the seventeenth century, fashion and status-oriented motivations for wearing gloves emerged. Within Britain the use of gloves was primarily confined to the elite social classes and signified the wearer's wealth and superior rank. Glove styles of the period were designed to complement the highly decorative and patterned styles of clothing that were in vogue. These gloves were not gender specific, and the styles worn by both sexes were almost identical in terms of shape, decoration, and color. They were typically made from deer, sheep, and kidskins in a natural color palette. As the century progressed, however, gloves became decorative garments in their own right. Gloves adorned with elaborate gold and silver silken embroideries, often bejeweled with precious stones, became popular, as did the attachment of a patterned and fringed gauntlet at the wrist. The seventeenth century also witnessed the birth of fabric and knitted gloves. However, fabric gloves did not communicate the social status and prestige that highly decorated leather gloves and gauntlets did. These gloves were elegant, fashionable, and expensive objects of desire that often served little or no utilitarian or protective function.